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Atomos told me that they support 24 & 30p Canon Raw to Pro Res Raw recording on the Shogun Inferno and Sumo recorders with the C300MK II and C500. Canon just introduced the Canon C500 Mark II, the long-awaited successor to the C500, which takes a much more modular approach than previous cameras in Canon’s Cinema line-up. Canon has never been the manufacturer to go wild for high frame rates, and the maximum 120fps is the only slightly disappointing feature of the camera as rivals offer up to 120fps in 10-bit 4:2:2 4K or 240fps in FHD. Simultaneous or relay recording. And if you are used to the ergonomics of Canon’s Cinema EOS range, you’ll have no problems quickly getting to grips with the camera. Explore our review below. You don’t have to be a camera operator, cinematographer nor C500 mark II owner, to earn some advantages from this course. Bolt on the grip, top handle and bracket for the screen and you have a perfectly serviceable camcorder, ideal for run-and-gun documentary, wedding or event work. Dual CFexpress slots . Using the LCD touchscreen, you can touch the screen and set a focus point, and the camera will track the subject. Newest Most Voted. Yossy also lectures about the art of the independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have granted international awards and recognition. Visit our corporate site. Nearly four years ago when the Canon EOS C300 came out, there was always the cry out for more than 8-bit for the MPEG2-LongGOP codec. 4K 4:2:2 10-bit. You will receive a verification email shortly. Name* Email* Website. This short and effective piece of education can be a huge plus, regardless of cameras being used on set. As soon as you wanted to achieve more than 60fps, most of the cameras cropped massively into the sensor. Potato Jet On YouTube compares the Canon EOS R with the Canon EOS C500 Mark II. It depends on the lenses you are going to use it with. The Canon C500 MkII Camera Primer is a pure technical course that concentrates on many topics from outboxing to introduction to post-production with Cinema RAW Light. For the sake of filmmakers’ knowledge, we’ve managed to build a chart that contains selected major…, “Shaken, not stirred” is a catchphrase of Ian Fleming’s fictional British Secret Service agent James Bond…, Thanks to pictures posted by Yann Besset on the RED KOMODO Users FB group, we can…, Shot on the RED Monstrochrome, Mank was aimed to be a pure black and white masterpiece.…, Apple wants you to be convinced that the new iPhone 12 Pro was designed for filmmakers.…, © 2018. But the Dual Pixel CMOS, which uses on-sensor AF sites that cover 80% of the frame, is great at locking onto a subject and keeping it pin sharp. Instruc tion Manual. Share this. © Luckily, as well as recording Cinema Raw Light or XF-AVC internally onto CFexpress cards, simultaneous proxy recording is also possible. This review was created side-by-side with the Canon EF 600mm f/4.0L IS II USM Lens review. Internal 5.9K Cinema RAW Light recording. At the rear is a port where you can plug in one of the accessories, such as tiltable, 1.77m dot OLED viewfinder which is solid and bright, with an adjustable dioptre wheel. The majority of the course circulates around the idea of modulation which is implemented on many cinema cameras in the market. And even TV broadcast, all in a camera that is relatively affordable rather than having to rent different cameras for different jobs all the time. But if you’re a generalist professional filmmaker, or want to be one, the Canon Cinema EOS C500 Mark II delivers everything you could need from a modern cinema camera. The Videos were stuck dozens of times with numerous playback and buffering issues (even at lower resolutions) which overshadowed the whole experience.

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